By telescoping the vast distant space and micro scoping the micro materials, we explore the extremes of the two spatial scales through the instruments. People tried to approach the unreachable side by enlarging the optical magnification, and cut the distance between our eyes and the object.

What will it become eventually when the light in the dark space slowly shifts with controlled mechanical precision? If staring at the operating mechanism is the opening process of approaching something, then this attempt to pass through time limit for a sight is always in vain; until the eye of the mechanic captured the space from time for us.

Therefore, through devices / installation and image configuration, the light transformed from flowing aimlessly to a time-staggered fixed image. It leads viewers to experience the interchange between perception and consciousness.

由望遠鏡望向遼闊遙遠的太空或以顯微鏡觀察微物，是透過儀器探看兩種空間尺度上的極端，放大光學倍率切分肉眼與對象的距離，人類竭力迫近那無從遊走其中的彼端。

當黯黑空間中的光點緩緩位移，精確控制的機械性運行，最終將完成什麼呢？若凝視這機械裝置的運作，便是開啟了趨近某物的過程，而這亟欲穿越時間侷限並得以視見的企圖總是懸念，直到機械之眼為我們捕捉了時間裡的空間。

於是透過裝置和影像配置，光點由流動的未明狀態到時間堆疊的定格顯像，牽引觀者去經驗身體感知、心念識想的變化。