The Line, the Borderline, and the Floating boundary
The Line, the Borderline, and the Floating boundary
- Type
- Group Exhibition
- Location
- Chiayi Art Museum, Chiayi, Taiwan
- Year
- 2024
The “Clockwork Pattern” series uses the mechanism of classical automatic machinery as a dynamic and interactive medium to connect and operate various dynamic objects. Capture interesting segments of life, or construct dynamic scenes of abstract shapes, sealing them like specimen collection. Through interactive operations, the viewer is able to go back and forth into this “Clockwork Pattern” theater. Accompany by the rattling sound, people may escape from reality, in exchange of a, either long or short, attentive gaze and an alternative perception.
發條時間系列以古典自動機械形式作為動態與互動的介質，連結、驅動各式動態物件，擷取具有興味的生活切片，或構築抽象造型的動態場景，將之如同標本採集般地封存，透過互動操作，得以反覆進出這一座座「發條時間」劇場，在機械嘎嘎運轉的過程中，片刻脫離現實，交換一段未明的、或緩、或快的凝觀與感知。
